Running led him to the insight: “compared to what I ought to be, I am only half awake.” The experience he writes about here echoes the experience of self discovery we can have in the work of recovery. Free of the numbing and needy constraints of our delusional solution, we’re finally free to feel, to think and to look at those thoughts and feelings as messages for us to do with as we will. 

Turning around means we can’t just stop drinking and erase all past actions and current problems from our lives. We have to turn around and look at our lives, look at the resentments we’ve accumulated and the harm we’ve caused, and do something about it.

As prophets in their own way, Abrahams and Montague witness and testify to the power in running a straight race, a phrase we hear from Liddell in one of his sermons in the film. Liddell tells his audience of the similarities between running and faith, and we see these parallels lived in real time in the lives of Liddell, Abrahams, Lindsay and Montague. Each in his own way serves not only as an ambassador of England to the Paris Olympics, but also as a prophet of the truths of life as enacted in running.

“The music of a marathon is a powerful strain, one of those tunes of glory. It asks us to forsake pleasures, to discipline the body, to find courage, to renew faith and to become one's own person, utterly and completely.” - George Sheehan